Jonathan went back to university to study Film Journalism in Glasgow in 2012 and hasn't looked back since. Writing for the Edinburgh Internation Film Festival, The Birmingham Review, The Electrolyte Magazine as well as Front Row Reviews he enjoys working across media and if not lambasting folk about politics it's film on his agenda. Working in The Electric Cinema in Birmingham has allowed him to come closer to the medium he loves, his favourite filmmaker is Wong Kar-Wai.
With nothing other than photography of water in all it’s myriad forms, Victor Kossakovky delivers a masterful if experimental documentary of this one part of the natural world. So much more than the sum of its ... Read More...
It’s the sound that draws you in. The rich swooning emotion, the piercing percussive tension or the nearly unnoticeable embellishments. Modern film sound completes the experience, guides tone and mood and thril... Read More...
There are few with the poise and authority to interview a giant of 20th Century international politics but Werner Herzog is just the man to interrogate the final president of the Soviet Union, Mikhail Gorbachev... Read More...
The first iteration of the Godzilla reboot saw a director’s vision watered down by the needs of a big budget studio movie. Instead of embracing the glorious visuals Gareth Edwards concocted, we were forced to w... Read More...
Shades of grey are present in this tale of good and evil. Francois Ozon takes on the dark subject of child abuse within the Catholic Church in France with nothing but contempt for the perpetrators, but the resp... Read More...
A bizarre execution of form blunts the undeniably potent content of Taghi Amirani’s documentary about the Iranian Coup of 1953. A methodical, hand-held beginning gives way to the injection of a stream of archiv... Read More...
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