Author: Greg Wetherall
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London Film Festival 2018: Pike in the Oscar race? A Private War reviewed
Of all of the writerly trades, there is a nobility associated to one branch that…
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London Film Festival 2018: They Shall Not Grow Old – Peter Jackson’s finest hour?
There might be mutterings of mild, but respectful indifference over another WWI documentary being released.…
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London Film Festival 2018: Dano’s Delight. Directorial debut Wildlife steers standout performances from Mulligan and Gyllenhaal
Have we not been here before? The stolid, oppressive climate of the 1950s is surely…
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London Film Festival 2018: Is Steve McQueen the most misanthropic filmmaker at work today? Widows reviewed.
Widows is something of a stylistic gear change for a British filmmaker whose career has…
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Venice Film Festival 2018: First Man review – mission accomplished but a bumpy ride
As of 2018, he is still only thirty-three. Yes, thirty-three. Following on the heels of…
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Cold War review – monochrome beauty charts doomed love affair
Pawel Pawlikowski has chosen to follow up on his much-admired 2013 effort Ida with another…
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Hotel Artemis review
Hotel Artemis is a pulpy little beast that takes a rather absurd premise and runs…
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Jurassic World: Fallen Kingdom review
Spanish director J.A. Bayona has gone from A Monster Calls to a monster ball with…
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Jeune Femme review: itinerant tale of a woman in the big city fails to hit the mark
Renamed from the domestic title, Montparnasse Bienvenue, the curious, itinerant travelogue of Leonor Serraille’s newly coined…