Let’s be honest. Child actors, for the most part, are rather annoying. So Lenny Abrahamson, if you are going to force us into spending two hours in the company of one, you had better make it worth our while.
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Room’s half-and-half split between the close quarters of Room and the vast outside world is tensely bridged by the escape sequence, which is as sharply constructed as any other action scene you’re likely to come across this year.