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  • A Beginner’s Guide to… Darren Aronofsky

    A Beginner’s Guide to… Darren Aronofsky

    To quickly explain these series of articles again, I want to be able to give a brief history of the director and then choose three of their films to discuss.The Beginner film would be for viewers who haven’t ever watched a film by this director (a good introduction, some may say), the Intermediate would be for those [...]

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  • A Beginner’s Guide to… Pedro Almodóvar

    A Beginner’s Guide to… Pedro Almodóvar

    To quickly explain these series of articles again, I want to be able to give a brief history of the director and then choose three of their films to discuss.The Beginner film would be for viewers who haven’t ever watched a film by this director (a good introduction, some may say), the Intermediate would be for those [...]

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  • A Beginner’s Guide to… Christopher Nolan

    A Beginner’s Guide to… Christopher Nolan

    To quickly explain these series of articles again, I want to be able to give a brief history of the director and then choose three of their films to discuss.The Beginner film would be for viewers who haven’t ever watched a film by this director (a good introduction, some may say), the Intermediate would be for those [...]

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  • A Beginner’s Guide to… David Fincher

    A Beginner’s Guide to… David Fincher

    Hello there, I hope everyone enjoyed the first of the series of A Beginner’s Guide to… two weeks ago where we looked at Quentin Tarantino, what did you think of the selection of films that I briefly spoke about? And is anyone a master in Tarantino knowledge and filmwatching yet? This week, I am going [...]

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  • A Beginner’s Guide to… Quentin Tarantino

    A Beginner’s Guide to… Quentin Tarantino

    Quentin Tarantino is an American film director who often writes scripts for other directors and is also sometimes seen on screen (both in his and others films) in smaller, less significant roles. In the early 1990s, he began his career as an independent filmmaker with films employing nonlinear storylines and the aestheticization of violence.

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